2019 DCI Menomonie

Instant Recap: DCI Menomonie

Instant Recap: DCI Menomonie

Welcome to the FloMarching live blog of the 2019 DCI Menomonie competition!

Jul 7, 2019 by Kevin Gamin
Instant Recap: DCI Menomonie
Good afternoon, ladies and gentlemen, and welcome to the FloMarching live blog of the 2019 DCI Menomonie competition! My name is Kevin Gamin, Managing News Editor of Drum Corps Planet, and I will be providing live commentary on all of the all-age, Open Class, and World Class drum corps competing tonight. The show begins at 5:30 PM Eastern/4:30 PM Central with the National Anthem, followed by Chops, Inc. Be sure to join us!

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Good afternoon, ladies and gentlemen, and welcome to the FloMarching live blog of the 2019 DCI Menomonie competition! My name is Kevin Gamin, Managing News Editor of Drum Corps Planet, and I will be providing live commentary on all of the all-age, Open Class, and World Class drum corps competing tonight. The show begins at 5:30 PM Eastern/4:30 PM Central with the National Anthem, followed by Chops, Inc. Be sure to join us!

Watch the 2019 DCI Summer Tour LIVE on FloMarching!
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Oh, hi, Brandt Crocker!

Minnesota Brass with the National Anthem tonight. Sad to see them taking another year off from DCA competition, but glad to see them still performing in DCI SoundSport this season.

Our first competing corps of the evening is Chops, Inc., from Minneapolis, Minnesota. Their 2019 program is entitled "The Wolf Within".

Chops are wearing all black uniforms with silver buttons down the front center of the jacket and a red design on the right front panel of the jacket.

Trumpet soloist gave us our first screech note of the night and we're literally only one minute into the show.

Chops only has the intro and opener of their show ready for performance, so they are done already.


Next on the field is the Governaires from St. Peter, Minnesota. No 2019 program information was available to me at this time so we'll find out as they play it!

Govies are not ready until they give DM the Govies Growl. Grrrr!

Govies Take Manhattan is the show theme. Trop set, tuba soloist, and John Mayer start the show. Trumpet soloist joins in on Duke Ellington's Harlem Suite, a great bluesy opening to the show.

Guard is on suitcases. Fortunately, they're rolling, though I don't know how well that works on turf.

Still on Harlem, but a different movement of the composition. Madison Scouts first performed this piece in 1986.

Nice little Take The A Train quote in the pit at the end of Harlem. Now, they're playing A Train as the corps passes across the field as the "train". Also heard a Siri/Google Now voice announcing the destination.

The train has stopped at the "park". Mellophone soloist opens this section of the show.

Tempo kicks up, though still a ballad feel for this section of the show.

Marching percussion is lounging on the front side of the field. Lazy bums. :D

We're heading to Times Square next, with some Stevie Wonder and Sir Duke! Great jam and a little shout out to North Star from the late 70s.

Still some work to do for this show, such as the closer drill for the percussion, but the Govies once again have an entertaining show for the crowd this season.


We now move to Open Class. Our first competing corps in this division is the Colt Cadets from Dubuque, Iowa. Here is the 2019 program information:

  • Show Title: ...Of A Feather
  • Repertoire:
    • "Blackbird" by The Beatles
    • "Don't Stop Me Now" by Queen
    • "On Eagles Wings" by Michael Crawford
    • "The Raven" by Alan Parsons Project
  • Description: "Grab your binoculars and look to the skies with the 2019 Colt Cadets! Listen for the iconic "Blackbird" by the Beatles used in different ways throughout their program, and experience a peacock personified by Freddie Mercury in "Don't Stop Me Now." The journey soars "On Eagles Wings" during this softer transitional movement, and the Colt Cadets close their program using the dark imagery of birds in their performance of "The Raven" by the Alan Parsons Project. From birds conversing in the trees to a majestic eagle soaring into the sunset, the Colt Cadets 2019 program, titled ...OF A FEATHER, encapsulates the power, attitude, and symbolism of various birds from around our world."

Colt Cadets now sport the uniforms the A corps wore up until last season. They're super snazzy and I'm glad they're still put to use.

Pit is on the left side of the field, with a stage behind them. This is starting to become a standard setup (see Carolina Crown, for example), and is already put to use as the marching percussion has already performed on them.

Big sound from the horns! Not bad for how young this group tends to be.

Another nice thing about the pit location is that the corps can use the front sideline for more visual activity.

First the Beatles with Blackbird (which we'll hear again later tonight, thank you Bluecoats), now Don't Stop Me Now from Queen. This show is doubling as a British Invasion.

Drum solo, front and center midway through Don't Stop Me Now. Trumpets now up on that stage behind the pit for the chorus of the song.

The stage has two backdrops, each with an outline of a bird's wing. A bari soloist is standing between them performing On Eagles Wings, appropriately enough, but it also gives him the look of having wings. The flag exchange which happened behind him added to the effect nicely.

After a full corps moment, a trumpet soloist finishes the song, also from the stage.

Very exposed bass feature to open The Raven, especially as they're moving up the stage ramp while playing it.

Snares have a nice ripple decrescendo, leaving the last player to play a nice little riff.

Pit now gets a chance to shine before a trumpet soloist comes in.

Full corps now in front of the pit and just jamming out. Up close shot and you're reminded that they're so young!

Big finish by the Colt Cadets! This is a corps that is ready for the season and will do VERY well in Marion, IN.


Next on the field is River City Rhythm from Anoka, Minnesota. Here is their 2019 program information:

  • Show Title: Breaking The News
  • Repertoire
    • The Typewriter
    • Second Rhapsody
    • A Day In the Life
    • Breaking the News

The pit gets a workout right from the start! Great feature and full of energy. Drum line is full size, which is great to see for an Open Class corps.

Typewriter sound from the pit as the mellophones play the melody. There are copy desk props on the left side of the field, which are used for staging.

Wow. River City Rhythm came to play tonight. Full bodied sound from all sections and no weaknesses that I can tell.

Seriously, RCR's pit is playing like a World Class ensemble. They've been featured twice already, and for good reason. It's not like the rest of the corps is holding them back, either. This corps definitely came to play tonight.

It's a Beatles night for sure! Day In the Life with an excellent trumpet soloist just off the 50 for perfect staging.

They moved some of the desks together to form a stage for a color guard soloist, who was lovely.

Into the closer. Snares are aggressive in their feature!

The show closed a little early so I suspect there's a full closer still in the works. This show is already a blast to experience, so I can't wait to catch the final product!


Next on the field is Legends from Kalamazoo, Michigan. Here is their 2019 program information:

  • Show Title: Song of the Siren
  • Repertoire:
    • La Mer
    • Pure Imagination
    • Aquarium (from Carnival of the Animals)
    • Genie in a Bottle
    • Finale (from The Abyss)
    • Symphony No. 10

Water sound effects from the pit during the preshow, setting the mood early.

Brad Bell does a pre-recorded intro of the corps.

The corps all have blue hip capes for a visual water effect.

Huge sound from the corps as they open with a statement from La Mer! The Saint-Saens Aquarium riff is also used throughout so far.

Drum line front and center for a high powered feature. Bass line for the win!

Tubas really standing out during the full corps impacts. Great foundation to build the horn sound on.

Horns and percussion also now have sparkly uniform sleeves to add to the visual effect.

Genie in a Boggle. There's a vocal, but I think it's pre-recorded as I couldn't see a performer.

There are five stage props which started off the show separate from one another and displayed nautical images such as tall ships. Now, they're set up together midfield and turned around to show the deep see, including Poseidon's trident.

Trumpet soloist opens The Abyss. This is the same segment used by Carolina Crown in their 2013 championship production.

Nice body movement by the horns during the impact, creating a wave effect in both formation and movement to go with the music.

After the impact, the horns play backfield as the drum line enters on the next section. Nice dichotomy between the two sections.

Shostakovich Symphony Number 10, which has become a drum corps staple over the past couple of decades.

Nice audio effect as the horns hit three chords, one backfield, one to the side, then one facing front, before forming up for a big hit and finish to the show.


Next on the field is Minnesota Brass from St. Paul, Minnesota. 

Minnesota is doing a DCI SoundSport show, so they are only using the field size equivalent to SoundSport.. The pit is in the back of the staging area, but the rest of the corps is doing full drill, including a full sized drum line.

With a smaller horn line, each member is more exposed than in a full sized corps. This actually adds to the demand of the horn section and to each individual within it.

After the opener, the corps forms a concert setup. Drum line has a feature to open the second section.


We are now on a 30 minute intermission and will return at approximately 6:46 PM Central time with the Madison Scouts.


We are back and we are moving into World Class! Our first WC corps competing tonight is the Madison Scouts from Madison, Wisconsin. Here is their 2019 program information:

  • Show Title: Majestic
  • Music Repertoire:
    • "Afterburners" by Chuck Naffier/Mark Taylor
    • "Backlash" by Simon Dobson
    • "715-Creeks" by Bon Iver
    • "Young Person's Guide to the [Jazz] Orchestra" by Duncan Lamont
    • "Spinning Wheel" by Blood, Sweat, & Tears
    • "One Voice" by Barry Manilow
  • Description: "Inspired by the historic Majestic Theater in Madison, Wisconsin, the 2019 Madison Scouts pay homage to timeless entertainment with “Majestic”. Throughout its history, the Majestic Theater has entertained audiences with its variety of shows from vaudeville to big band jazz to today’s modern rock bands. In “Majestic”, the Madison Scouts combine a varied soundscape that spans decades, genres, and instrumentation. Uncomplicated, these musical staples are designed to simply entertain, musically and visually."

Huge opening statement from the corps! No winding up into the performance like most corps do. Trumpet screamers down in the pit add to the effect.

Tubas laying down a great bass line while showing off some fancy footwork.

I think this is the first time I've seen the guard in their caps. Now that the uniforms are fully developed, it's a great look on the field.

Wicked trombone duet up front.

Drum feature, tenors followed by snares, then full line.

Now for some fun with Young Person's Guide to the (Jazz) Orchestra. A great swinging Madison moment.

And there's the classic fleur de lis formation! It's almost like it's required by law.

This entire show is one huge sound from the corps. Loud, proud, and pleasing the crowd as always.


Our next corps on the field is the Colts from Dubuque, Iowa. Here is their 2019 program information:

  • Show Title: When Hell Freezes Over
  • Music Repertoire:
    • Music by AC/DC
    • Music by Robert W. Smith
    • Music by Camille Saint-Saens
    • Music by Frederic Chopin
    • Music by Bob Dylan
  • Description: "Featuring the music of AC/DC, Robert W. Smith, Camille Saint-Saens, Frederic Chopin, and Bob Dylan, the Colts explore the depths and dualities of a place one hopes to never know. In the struggle, there is light. Beyond the inferno, there is ice. Yet no soul is so forsaken that it cannot find its way to heaven's door. The Colts are proud to present their 2019 program... When Hell Freezes Over."

I LOVE the uniforms for the Colts this season. They are on point. They may even be on fleek.

HUGE sound when the full corps comes in. Colts are out for blood tonight it seems.

The guard members all above the rest of the corps and poking out of the black tarps above the props add a great three dimensional feel.

A little Danse Macabre to start the first full movement. Great arrangement and really features the mello section well.

Tenors and basses going nuts before the snares join in. This is a show theme where you can't hold back on the intensity and the Colts have bought into it full stop.

The guard is, dare I say it...EN FUEGO!

Nice tango feel to stat the next movement of the show. Trombone choir up front is really adding to the effect, as well.

Wow. Colts channeling the Hawthorne Caballeros there for a minute with how loud and Latin that moment was.

Trumpet trios on either side of the field transition us into the next section of the show. At least one is a screamer.

Here comes the wave of cold! A large blue tarp flows over the props. They change from fire to ice, as does the front sideline shields and the guard uniforms. Great visual effect.

Heavy piano action in the pit during this transition

The horns are still mainly red and black, which really contrasts against the look of the guard.

Another huge musical moment from the corps before going into the closer. Mello/bari duet to open it while the horns play backfield, then they turn front to hit us with Knockin' On Heaven's Door.

The corps finishes in a company front on the front side. This is a very entertaining show and is really coming together as the season progresses. Dark horse for Finals?


Next on the field is The Academy from Tempe, Arizona. Here is their 2019 program information:

  • Show Title: "The Bridge Between"
  • Music Repertoire:
    • "Dance No. 1, First Movement" by Oliver Davis
    • "Equilibrium" by Paul Lovatt Cooper
    • "Bridge Over Troubled Water" by Paul Simon
    • "Horizons" by Paul Lovatt Cooper
    • Original music by Steven Vento

Academy is another corps which places their front ensemble on the left side of the field, from the 40 out.

Snare line is SOLID on their opening feature. Very tight and clean. 

Horn line doing serious jazz running across the field on their opening hit! A visual and aural wake up to start the show.

Academy's horn line is MOVING out there. Definitely not afraid to take chances visually this season.

Full trombone line staged backfield on a large bridge prop. We're looking at about 20 trombones.

The color scheme of this show is very striking. The corps proper is mainly in white with black and purple accents. The also have capes which are orange on the inside, matching the many bridges on the field.

London Bridge has never sounded so evil. I love it.

Water effects from the pit as a flugel soloist plays the opening of Bridge Over Troubled Water.

Incredible solo! Crowd showed their approval.

Low brass now takes up the melody. Very lush and harmonic.

Even on a ballad, the horns aren't afraid to move with velocity. They are now all up front and hitting the crowd with their sound on the impact of Bridge.

Drum line joins back in as we move into Horizons.

Tubas hit a wonderfully gnarly note after they do another London Bridge quote. This is what tubas are for, people.

HIGH STEPPING HORN LINE!!! Perfect visual to go with the reprise of the Bridge theme!

What a finish of an incredible show! Academy has something special once again this season!


Next on the field is The Crossmen from San Antonio, Texas.  Here is their 2019 program information:

  • Show Title: Valkyrie
  • Music Repertoire:
    • Music by Led Zeppelin
    • Music by Trent Reznor
    • Music by Andrew Markworth
The Crossmen DM in full Vakyrie rig and that black cape is the epitome of powerful.

Crossmen's hornline has now played more notes in their opening statement than I may have in my five years of marching junior corps. They've also played Ride of the Valkyrie more often than I have (I've never played it).


I think Robert Plant would approve of Crossmen's rendition of Immigrant Song, especially with how much the mellophones wail on his screams.

I don't know who's idea it was to feature a guitar player in this show, but I want to pay them money.

Tuba soloist getting pushed across the field on one of the props while the rest of the tuba line marches around him is such a great moment.

Concert bass drums on the field and taiko drums in the front ensemble are adding a lot of thunder to this tribal dance moment. What's even better is that some of the crowd knows the show well enough to clap along with the corps.

Yeah, you can't play Ride of the Valkyries without trombones. Odin intended it to be.

Kudos to Andrew Markworth. That is a meaty brass book.


Next on the field is the Blue Stars from LaCrosse, Wisconsin. Here is their 2019 program information:

  • Show Title: Call of the Wild
  • Music Repertoire:
    • "Concerto No. 4 in F Minor, Op. 8, RV 297, 'Winter'" by Antonio Vivaldi
    • "Symphony No. 1" by Pyotr Ilyich Tchaikovsky
    • "Dance Panels" by Aaron Copland
    • "Sora" by Yoko Kanno
    • "Avalanche" by Jim Wunderlich, Rick Barclay, Matthew Hernandez
    • "The Great Thaw (Reprise)" by Frode Fjellheim, Christophe Beck

Wow. Didn't realize the drum major started with her fur hood up. How hot is that thing???

Trumpet soloist starts the show, pushed down the 50 on a sled. Mellophone soloist on another sled.

Serious visual demand on the corps early on as they combine body movement along with high speed drill, all while playing full out.

Percussion feature set to Vivaldi's Winter.

Dance Panels by Aaron Copland. First used by Santa Clara Vanguard in 1998. Very difficult rhythms in the brass book on this selection, even more difficult while on the move.

Serious kaleidoscopic drill moment before closing out this section of the show!

The Blue Stars' ballad this season, Sora, is lovely, and is by a composer well known to the corps. Yoko Kanno is a prolific and accomplished Japanese composer known for her anime soundtracks such as Cowboy Bebop, which Blue Stars used in 2004, and Vision of Escaflowne, which Sora is from.

Also, while Blue Stars are performing a selection from Frozen, they are NOT playing Let It Go, though we do hear a brief quote in the pit prior to the percussion feature leading into the closer.

Baritones on the melody after the percussion feature. Love the unison sound they have.

Blue Stars finish the show with a full out sound. That could be the final ending or we may have something in the works for later in the season. Regardless, Blue Stars are SOLID this season, once again.


Next on the field is the Cadets from Allentown, Pennsylvania. Here is their 2019 program information:

  • Show Title: Behold
  • Music Repertoire:
    • "Fanfare for the Women" by Libby Larsen
    • "Just" by David Lang
    • "Blueprint" by Caroline Shaw
    • "Dance No. 1 from the Estancia Orchestral Suite" by Alberto Ginastera
    • "Bridge Over Troubled Water" by Paul Simon
    • "Do Better" by Tom Aungst, Omar Carmenates, and Brandon Carrita
    • "Symphony No. 4" by David Maslanka
  • Description: “'Behold is, by definition, a command for respect and is often used to introduce something remarkable or impressive. The design team wanted to honor the remarkable story of resilience, strength, unity, and healing for The Cadets and for all women in our activity and our country, as we celebrate the 50th Anniversary of women in The Cadets in 2019,' said Darcie Aungst, Program Coordinator. 'I was intrigued by women in history who lead entire nations as far back as Ancient Egypt and Rome; often pondering the question, what happened? Why in 2019 is it a struggle? This show explores that history and those questions. Behold tells a tale of female strength and leadership, the ugliness of jealousy, discrimination, and power when it is held over others. The show points triumphantly to images and sounds of true equality and opportunity for everyone regardless of gender, race, orientation, identity, or ethnicity. Shattering the glass ceiling opens opportunities for everyone who has been told they are ‘less than’ and leaves our world a better place for future generations.'”

Did Brandt Crocker time his announcement of the Cadets? That was excellent if he did.

Opening fanfare introduces our queen, lead down the stairs by the drum line.

Now the queen is getting defrocked as the rumors about her spread about her. Soon she shall be deposed and the inmates will run the asylum. 

The Ginastera section of the show is very primal and dissonant. Horn line really gets a chance to shine during this section. First, though, the drum line does their thing.

Long time drum corps fans may recognize this selection as what Phantom Regiment opened with in 1993. Cadets have expanded the use of Dane No. 1 from Estancia, giving each section of the brass and percussion a feature, using the various staircases as stages for these moments.

For the second time tonight, Bridge Over Troubled Water. What's great about this activity is that we can have the same selection performed by multiple groups, yet their interpretations are completely unique to one another.
Also the first time I've seen the blue drop sashes unveiled on the corps uniforms, adding a nice splash of color to their look.

Dynamic shaping is much more defined at this point in the season. Great demonstration of control by the musicians!

One of the great musical moments of the season is this down and dirty closing of Bridge by Cadets, featuring two wailing baritones.

OK, Cadets, time to Do Better, starting with the drum line.

There's a small stage set up behind the front ensemble. I don't remember it at the start of the season. Tenors just got featured on it.

Another great uniform change - The musicians open their uniform jackets to reveal a blue vest and, appropriately, a yellow cummerbund.

What's great about this show is that the Cadets are still adding touches to it. There's still plenty of evolution for this show.


Next on the field is the Bluecoats from Canton, Ohio. Here is their 2019 program information:

  • Show Title: The Bluecoats
  • Music Repertoire:
    • "A Day In The Life" by The Beatles
    • "I Want to Hold Your Hand" by The Beatles
    • "Eleanor Rigby" by The Beatles
    • "Within You Without You" by The Beatles
    • "Blackbird" by The Beatles
    • "Come Together" by The Beatles
    • "I Want You (She's So Heavy)" by The Bealtes
    • "The End"
  • Description: "From the cacophony of the 1960s rose the one band to rule them all - The Beatles. The famous foursome not only shaped music history, but also informed the rapidly changing cultural landscape around them as the band evolved from their teeny-bopper roots to the revolutionary social awareness, psychedelia, and musical experimentation of their later work. Throughout their meteoric rise - from working-class Liverpool and honing their craft in Hamburg, to Beatlemania, the Ed Sullivan show, and rocking Shea Stadium - The Beatles contributed not just soul-stirring medleys and unforgettable lyrics to the world of music, but hairstyles, fashion, and cultural consciousness across the universe. It is in that spirit of collaboration and innovation that we present our 2019 program, 'The BLUECOATS.' From 'I Want to Hold Your Hand' to Abbey Road, we use 21st-century technology, unavailable when the music was created, to harness the breadth and depth of the Beatles’ catalog and explore our own evolution - on stage and live in concert."

The orchestra you hear warming up as part of the sound check/pre show is none other than Dean Westman's Avon High School Orchestra. 

"Ladies and gentlemen, THE BLUECOATS!!!"

Talk about a demonstration of control. That chord the horns hit and sustain before decrescendoing it as they move into I Wanna Hold Your Hand is hard to do on the move and not stick out with your sound.

If your foot isn't tapping to this incredible arrangement of Elanor Rigby, are you actually watching?

Trumpet section is showing off incredible technique in these small groups.

Wicked trombone soloist leading into the next section of the show. The modulation to give it a sitar feel really adds to the effect.

Horns are setup all across the field and very exposed for an incredibly difficult lick. They nail it .There's still over a month left in the season to make that even better.

Bloo percussion is on fire tonight!

Another excellent flugel solo, this time during Blackbird.

Full horn section set up midfield for the final section of Blackbird. Just them, no percussion. This is almost another Boxer moment in its intensity.

Bloo tubas are just evil sounding on the Come Together bass line!

The transition from Come Together to She's So Heavy is flawless, as is the full out down and dirty park and blow moment we get as a result.

Still ending with The End. No way that's the end of the show come August.


Our final performing corps of the evening is the Santa Clara Vanguard from Santa Clara California. Here is their 2019 program information:

  • Show Title: Vox Eversio
  • Music Repertoire:
    • "Fraternity" by Thierry Deleruyelle
    • "Audivi Media Nocte" by Oliver Waespi
    • "Nothing Else Matters" by Metallica
    • Original music by Sandi & Paul Rennick
  • Description: "'Vox Eversio invites the audience into a world in which the courageous choice of nonconformity is not only accepted, but celebrated,' said Michael Gaines, VMAPA Creative Director and SCV Visual Designer. 'The choice to bring this show to life was made easier with the knowledge that this skilled cast of performers would be able to perform it with an authenticity that must be experienced to be believed.'"

Very exposed percussion to start the show. A LOT of rim shots.

Wow! When the horns come in, you know it!

Lovely mellophone soloist set up in one of the props.

Tempo kicks back up and the tubas and percussion really start grooving.

Trumpet/baritone duet on another one of the props. This time, the trumpet is on the upper level, bari on the lower level, and they're pushed across the field while playing.

Mellophone line is sustaining their hearts out, except they keep going up the scale in the process.

Bari section just 16th note run us to death, and then the mellos do the same thing for good measure.

TENORS, WHAT DID YOU JUST DO?!?!?!? I can't even describe, but it was incredible!

OK, words, I never though I'd write in drum corps - A trombone/sousaphone duet is happening right now.

Raw power from SCV's horn line right now. This is a good time to remind anybody going to live shows to get a hold of good ear protection, whether it be Earasers, Etymotic, or another option. You can enjoy the show without losing your hearing or, in my case, getting tinnitus.

Another thing I never thought I'd write - Santa Clara Vanguard is playing Metallica.

Vanguard's mello line has set standards that the activity is going to have to work hard to maintain and exceed.

Remember that trumpet soloist who hit that insanely high note last year. He just angered every dog and cat within miles of Menomonie with the note he just hit.

Dance break, full horn line and guard, while the percussion does their thing.

Big finish in that "we have a bigger finish for later in the season" way.


Scores:

All-Age
1. 62.45 - Govenaires

Open Class
3. 51.60 - Colt Cadets
2. 57.35 - River City Rhythm
1. 60.75 - Legends

World Class
8. 70.05 - Madison Scouts
7. 71.90 - Academy
6. 72.60 - Colts
5. 76.65 - Crossmen
4. 77.75 - Blue Stars
3. 79.00 - Cadets
2. 84.00 - Santa Clara Vanguard
1. 84.90 - Bluecoats